Overall, I admire Faulkner's ability to send subliminal messages through his stories. His giant Screw Yous to the critics, his critiques of Southern culture and traditions and his cynicism all shine through the complicated sentences and overabundance of characters. I admire the beautiful simplicity of the stories once you sift through the complicated sentences and format. Faulkner's writing is all contradictions, all beautiful contradictions.
Friday, May 3, 2013
Good-Bye Faulkner
In attempting to analyzing Faulkner, I have decided that not even old William himself knew what the heck he was talking about half the time. He was a pathological liar, claimed that things meant nothing when they really did and vice versa, none of it makes sense-kind of like his writing. On the surface everything is chaotic, out of order, and just plain weird and it gets written off because it's a pain to sift through. But I think that's how he wanted it to be, he wrote for a very small audience, he didn't write for popularity and the comfort of the masses, he wrote for the people who cared enough to trudge through it and in their trudging could find beauty.
Happy Trails Faulkner, 'til we meet again
It's been quite the journey of epic proportions in this class. But, alas, our time has come to an end 'ol Billy Faulkner (I call him Billy because we are friends now).
This class and the late nights accompanied with it were surprisingly great. I had no idea that I could care to read his work until it was forced upon me, but like we learned in Sanctuary, it's the things that are forced on us that causes us to change for the better, or worse....Temple you bitch.
When I started this course I knew that it would be somewhat of an undertaking that would better acquaint me with Faulkner. I had only read "Barn Burning", "A Rose for Emily", and As I Lay Dying before the class started. Needless to say, I wasn't super thrilled to have to read the rest of his works. However, I am happy to say that this class provided me with insights of not only Faulkner's works, but his style as well. His characters and narrative style are what set him apart, even today. And watching and reading about an entire world that he created really does garner a lot of respect from me.
My project for As I Lay Dying gave me a new-found appreciation for the story, and the characters; if I have to teach it to 10th graders once a year, maybe it wouldn't be so bad.
My favorite stories were definitely Sanctuary, The Sound and The Fury, and Go Down, Moses. I will definitely look to those stories in future English and writing classes. I would put The Sound and The Fury ahead of the others only because it felt like we familiarized ourselves with it the most. It also allowed me to first acquaint myself with Faulkner's writing style. It was a different way of writing that I very much enjoyed, and it gave me a lot of ideas for my final project for this class.
But all in all, I don't hate Faulkner anymore, so I guess Andrews succeeded in getting me to "drink the kool-aid" if you will. It makes me think if I will ever appreciate Nathaniel Hawthorne.....
HAHAHAHAHAHAHAHA sorry. I was talking crazy at the end there.
This class and the late nights accompanied with it were surprisingly great. I had no idea that I could care to read his work until it was forced upon me, but like we learned in Sanctuary, it's the things that are forced on us that causes us to change for the better, or worse....Temple you bitch.
When I started this course I knew that it would be somewhat of an undertaking that would better acquaint me with Faulkner. I had only read "Barn Burning", "A Rose for Emily", and As I Lay Dying before the class started. Needless to say, I wasn't super thrilled to have to read the rest of his works. However, I am happy to say that this class provided me with insights of not only Faulkner's works, but his style as well. His characters and narrative style are what set him apart, even today. And watching and reading about an entire world that he created really does garner a lot of respect from me.
My project for As I Lay Dying gave me a new-found appreciation for the story, and the characters; if I have to teach it to 10th graders once a year, maybe it wouldn't be so bad.
My favorite stories were definitely Sanctuary, The Sound and The Fury, and Go Down, Moses. I will definitely look to those stories in future English and writing classes. I would put The Sound and The Fury ahead of the others only because it felt like we familiarized ourselves with it the most. It also allowed me to first acquaint myself with Faulkner's writing style. It was a different way of writing that I very much enjoyed, and it gave me a lot of ideas for my final project for this class.
But all in all, I don't hate Faulkner anymore, so I guess Andrews succeeded in getting me to "drink the kool-aid" if you will. It makes me think if I will ever appreciate Nathaniel Hawthorne.....
HAHAHAHAHAHAHAHA sorry. I was talking crazy at the end there.
Post Project Thoughts
http://prezi.com/xbrkuistkrqy/faulkners-family-trees/?kw=view-xbrkuistkrqy&rc=ref-33608567
Here is the link to a shared final project with Salome.
After doing the project, I
1. Will be glad to never read about incest again.
2. Have a new found respect for the intricate details in which Faulkner layers his stories.
3. Look forward to reading more Faulkner novels in the distant future.
I can honestly say I enjoyed the class, and discussing his works. But this is a side to American Literature that I have not loved yet, like I normally would. Faulkner seemed, to me, arrogant and writing to be smarter than the reader, writing to confuse. Which, I don't entirely mind, if it's your thing, but it all seemed narcisstic to me. Though, I can now say that one of my favorite short stories is now one of Faulkner's. I loved Pantaloon In Black. It is probably one of the only works I thoroughly enjoyed. The rest I liked because of the commentary that it created, not because of the actual content or writing. I'm hoping that appreciation for such things will come with age, since I went to be just like Andrews when I grow up. Haha. :P
I used an emoticon in my last blog. Cool.
Here is the link to a shared final project with Salome.
After doing the project, I
1. Will be glad to never read about incest again.
2. Have a new found respect for the intricate details in which Faulkner layers his stories.
3. Look forward to reading more Faulkner novels in the distant future.
I can honestly say I enjoyed the class, and discussing his works. But this is a side to American Literature that I have not loved yet, like I normally would. Faulkner seemed, to me, arrogant and writing to be smarter than the reader, writing to confuse. Which, I don't entirely mind, if it's your thing, but it all seemed narcisstic to me. Though, I can now say that one of my favorite short stories is now one of Faulkner's. I loved Pantaloon In Black. It is probably one of the only works I thoroughly enjoyed. The rest I liked because of the commentary that it created, not because of the actual content or writing. I'm hoping that appreciation for such things will come with age, since I went to be just like Andrews when I grow up. Haha. :P
I used an emoticon in my last blog. Cool.
Thursday, May 2, 2013
How I Survived Faulkner
Faulkner has been a
very difficult course for me. Not only was the material out of my comfort zone
along with its concepts, but I also was introduced to a new way of
storytelling. Now I must admit I would certainly like to try imitating the modernist
stream of consciousness in my writing at some point, but I know that I would
never be able to master it to the level that Faulkner has. In that I will
always be looking back to this course and reviewing my multiple pages of notes
on different works of Faulkner. One thing I will walk away with having
accomplished is making sense of the family trees of his characters. I have
discussed in previous blogs what a Prezi is and that Sonia and I had intent to
do one for our final project. Well here is the fruit of our efforts over the course
of the semester: http://prezi.com/xbrkuistkrqy/faulkners-family-trees/?kw=view-xbrkuistkrqy&rc=ref-21851645
. I must say that I am very proud of this link and I would encourage anyone with time on their hands to look through it. Not only did this project test my skills
as an English major, but also my acquired skills in the Multimedia course I was
taking this semester because I created the formatting of the Prezi from
scratch. After sifting through generations of confusing incest and affairs
complicating the family trees of Faulkner, Sonia and I finally came to an understanding
of where each character fit in and we have formatted the Prezi to flow in the
right order which was no easy ordeal. We also included an art show to describe the books we covered
instead of just writing a blurb. This was also done because we easily bored of figuring
out genealogies and wanted to add a more creative element. Anyway, I am very
happy to have taken this course because I have made friends in a field that I
am new in and am finally beginning to feel like I fit in somewhere in this
university. Thank you all!
Wednesday, May 1, 2013
Hunting in the Garden of Eden
Wow, so from a rattlesnake and a tree full of squirrels, we get an allusion to the Garden of Eden. Pretty cool! I got to give you that one Faulkner. That was awesome! My wish is that he would of forgotten some of the genealogy and continued the hunting story! I am not a hunter, on the contrary, I sidestep to avoid ants. But, I did enjoy the hunting story! It was amazing how he linked the bear to Sam and his Indian heritage! Now, in this story, I found progress, the death of the past (Old South, slavery, etc), but I wasn't left with a broken family. An upset Boon, yes, an Ike and Major de Spain saddened by the loss of the wilderness and the old ways, yes. But, (and I know you are not supposed to start a sentence with "but", but we are discussing Faulkner, who very rarely obeyed grammatical rules) I had hope that the progress would eradicate the wrongs of history. I also liked the idea that we are still part of the earth when we die, i.e. the idea that Sam knew Ike was there in the forest. All in all, I enjoyed this better than Santuary!
Final Project: As I Lay Dying Poetry Companion
Introduction
Inspired by As I Lay Dying. I have compiled a poetic
companion for Faulkner’s novel. Each section of the novel is divided into a
respective stanza (59 sections with 59 stanzas). However, in conjunction with
Faulkner’s narrative style, each narrator is presented in a different poetic
style. Darl, who is the main narrator of the story, has a twelve syllable AABB
rhyme scheme. Both Cora and Vernon Tull, as they are quite the judgmental and
observational people, are given free verse styles. Dewey Dell, reflecting her
teenage emotion, has a short ABAB lyric rhyme scheme. Cash is a man of few
words in his sections, but he makes the most sense, so he expresses his
sections through limericks. Vardaman, who is very observational, has loose
meter blank verse. Anse’s sections contain the terza rima, or three line
poetry, ending with another line of underlying thought. Jewel only speaks once
in a section, so I chose to convert his to a haiku. Addie Bundren speaks
through a free verse sonnet while Whitfield has a couplet describing his
section. Peabody speaks through five line stanzas or Cinquains, and all other
“one-time narrators” are reflected through normal lyric poetry. As to symbolize
the dramatic shifts in storytelling no two consecutive poems are in the same
place on the page as you read down; much like the reader is treated to
constantly shifting points of view, this poetic companion will shift in
accordance with the novel.
Darl
I’m ahead of Jewel, as we make the
cotton-house.
I take the path around, while he,
like a sly mouse,
Goes into one window and out of the
other,
As we reach the bluff, with our
carpenter brother.
Cora
The
cakes turned out great, really great;
There
isn’t much use for them now, but they still turned out great.
Poor
ol’ Addie, she could bake like no other;
‘cept
now she just lays there as Cash tries to finish…
The
cakes turned out great though, really great.
Darl
I take a drink of water. It is
warmish-cool,
As Pa, fresh snuff in, asks me
where to find Jewel,
I reply, “down by the barn,
harnessing a horse”
And I hear Jewel ride it, stop, and
feed him by force.
Jewel
Cash
is a damn fool.
Doing
that in front of her.
Leave her well alone.
Darl
A three dollar trip, we’ll be back
by tomorrow.
As to combat time’s inevitable
sorrow.
In the air I feel and hear all of the
voices,
They hang in my head, as I ponder
our choices.
Cora
Darl
is different from the others,
Bidding
his mother farewell before his trip.
It
was like he knew.
He
didn’t get to say
Everything
he wanted to, but it was sweet.
Dewey Dell
Lafe and I were fillin’ sacks
And
I felt like the fool,
Darl,
he knew behind our backs
And
now he’s takin’ Jewel
Tull
Those
Bundrens, blunderin’ Bundrens;
That
boy comes up with a fish for his ma, durn nigh as big as he.
Anse
just keeps on rubbin’ his knees.
They’ll
be alright, Lord willin’, after it’s all said an’ done
Anse
Durn
that road, durn my stupid boys
Ain’t
got no heart for anythin’ no more
Durn
that durn weather for sappin’ all my joys
Ain’t got not heart.
Darl
During the journey, Jewel will not
look back at me.
I then think of Dewey Dell and her
new baby.
“Are you gonna tell Pa?” She asked
me with a scare”…
Addie Bundren will die Jewel, and
we won’t be there.
Peabody
The
Bundren house
Is
not easily approached.
And
after seeing her condition,
I
wish I hadn’t encroached.
Her
eyes pushed me out, so I left.
Darl
Away from them, I can feel that
Addie is gone.
Cash is looking right at her, then
returns his brawn
Back to the task at hand, a box for
my mother
Our journey continues, while I tell
my brother.
Vardaman
My
maw is dead.
You
kilt her youself!
I
hate that damn doctor
And
his damn horse
I
hit the damn horse
Through
my damn tears.
Dewey
Dell
For
them, I cook the greens and bread,
Then
search for the little whelp.
I
find him crying cause Ma’s dead,
The
doctor…me, he can help.
Vardaman
She’ll
be stuck inside, Cash
Like
I was in the crib.
Won’t
be able to breathe
Like
I was in the crib.
Vernon
knows that it ain’t her
That’ll
be stuck inside that thing.
Tull
Well
it finally happened, Sooner than I ‘da figured though
Anse,
that fool, and his damn son with his fish
Gone
an’ put holes up in that coffin we finished.
Those
Bundrens…that boy….Anse. Damn the storm.
Darl
Cora and Tull arrive at our place
to help us.
Through the rain, they make the
coffin without much fuss.
What am I? To be emptied for sleep
like others?
I think I am different from my ma
and brothers
Cash
I
constructed a coffin supreme, it
has twice grip surface on each seam.
It’s
built on a slant,
Won’t
let in an ant,
And
now dear ol’ Ma can just dream.
Vardaman
She
is a fish.
My
mother is a fish.
She
is not what she was.
She
is a fish.
Tull
I
came back with the doctor’s horses
And
saw dear Addie laid in reverse for her dress
Jefferson
can’t be done with no bridge. And that
Boy
in the slough, no fish. Those Bundrens.
Darl
The buzzards circle, and I know
exactly why.
I assure him that his horse-mother
did not die.
We get near the house as above the buzzards
flew,
As Jewel’s words hang in my head,
ringing “Goddamn you”.
Cash
I
try to tell them about balance,
But
Jewel is in some kind of trance.
He’s
yellin’ at us
Makin’
all kinds of fuss
And
tryin’ too hard to advance.
Darl
The four of us lift her up through
harsh screams from him.
Jewel’s moving too fast for poor
Cash with a bad limb.
I look at his green face, rugged as
unkempt stone,
As he cursed, and put her in the
wagon, alone.
Vardaman
We
are leavin.
Pa
is shavin.
Jewel
has a horse mom.
So
I do as well.
To
Jefferson.
Darl
Pa is upset, because he sees that
Jewel’s leaving.
Cash suggests that we let him go,
to keep grieving.
The mules are tied to the wagon,
ready to go,
So we set off for Jefferson.
Jewel’s bound to show.
Anse
Boy
ain’t got respect for me or his ma dead.
Darl
laughin at me while settin with her
Cash
sees Jewel ridin up on us from ahead.
No respect.
Darl
We see Jewel approaching through
the sun’s fresh brought Hell,
While Cash says the coffin’s off
and will start to smell.
He approaches wood-faced, not so
much as a cough.
Kicks some mud on the box, and Cash
scours it off.
Anse
I’ll
soon be rewarded more than I can afford, After
today we made it to Samson with rain.
Sun’s
hard on a farmer, but bless the Lord. I’ll soon have my teeth.
Samson
The
Bundrens made it to my farm
And
shared with me their journey yarn
And
so, as not to twist their arm,
I
offered shelter, they chose the barn.
My
heart’s goodness I did employ,
But
my loving wife did not enjoy
And
so my wife, who I can’t scorn
Caused
me to wait, til they left by morn.
Dewey Dell
We
pass Tull’s lane yet again
Darl
and Jewel don’t leave
Their
thoughts and mine of Vardaman
Remind
me of what I believe.
Tull
I
see the Bundrens again, so I catch up
To
them at the river crossing with my Mule in hand.
They
all look at me with different eyes.
“My
mule aint going into that water.
Darl
When Jewel was 15, he seemed to
always tire
Pa needed him for work, but that
would require
His full energy, but Ma defended
with force
And Jewel was able to buy and
maintain his horse.
Tull
I
helped them cross without my mule
I
held on to that Boy’s hand as we crossed.
The
water was cold, but we made it.
I’ll
help the Bundrens keep that promise.
Darl
We all reach the ford as the river
runs deeper
We argue over crossing—and how to
keep her
Jewel leads with his horse, then
her, Cash, I, and the tools
A log strikes our progress, I jump.
We lose the mules.
Vardaman
Darl,
grab her!
Don’t
let that fish escape!
You’re
a good grabbler Darl!
Catch
that fish Darl!
Tull
See
what you’ve done Anse?
I
watch his children try to save themselves.
They
all made it out ‘cept the mules Cora
The
Hand of God was on their side again.
Darl
We end up on the other side of the river.
Cash is out and gray, without even
a shiver.
Tull and Jewel start to salvage
some of our supplies,
And we circle round Cash as he
opens his eyes.
Cash
I
told them the balance was off.
But
they all replied with a scoff.
It
wasn’t made sound,
So
we almost drowned,
And
I wake up to them with a cough.
Cora
Oh
Addie, why?
You
think of your son as God?
He
is your cross and salvation is he?
He
will save you from water and fire will he?
I
will pray for you. Oh Addie.
Addie
I
hated those kids
When
I made them aware
of me was when I felt alive
I
took Anse, the hunched shy man
Who
looked at me once and never looked back
I
took him and had Cash
And
I learned of words like motherhood,
Pride,
fear, and love; I wasn’t sure if I knew any of
Them…really
knew them, so I tried not to use them.
I
had Darl and mother’d them, better than
Cora
said that I could, I gave the kids to Anse.
My
life was about getting ready to die.
To
die, as Cora called me, a blind sinner.
Whitfield
Forgive
me, Oh Lord! For I have sinned against this dying woman and her man.
I
have returned to find she is already gone, I return to bereavement, God’s grace
upon this land.
Darl
We put Cash safely on top of her
and waited
For Jewel to return with help, our
breath was bated
Armstid gave us refuge and food for
just the night,
But Jewel stayed and tended horses,
nigh out of sight.
Armstid
I
offered Anse my team of mules,
And
all he could do was refuse.
Brought
a horse doctor for poor Cash
And
the man’s consciousness did lose.
Anse
scraped money together quick
To
finish his journey sound
But
he traded Jewel’s horse without telling him,
And
neither man, nor horse, are found.
The
trade went through with the mules alright,
But
durn that Anse, if he aint a sight.
Vardaman
Seven
circle above my head.
I
won’t let them get close to her.
She
is a fish.
Jewel
is gone.
Now
there are nine.
We
will be in Mottson tomorrow.
Ten
circle above my head.
Moseley
You
poor little girl, what is it you desire?
I
must humor you while I inquire.
A
fresh bandage? A tummy ache?
What
is it you….FOR HEAVEN’S SAKE!
You
will not have me do such a thing,
Go
find this man and get a ring,
Or
tell your father, he could help,
Just
leave this place before I yelp!
Who
was that girl, my mind’s a wondrin’
She
leaves, and I learn the name: BUNDREN
Darl
We send Dell out for water, as the
new mules thud,
Because poor Cash is almost out of
his good blood.
To stop, we coat his broken leg in
fresh cement.
Jewel finds his way to the wagon,
and off we went.
Vardaman
Jewel
is back
Horse
is still gone
Five
circle above my head
Cash’s
leg don’t hurt
Where
do the birds go at night?
I’m
gonna find out
Darl
We put you, dear mother under an
apple tree
But oh my dear brother, won’t you
please answer me?
We pour water on Cash cause his
leg’s feeling bad.
But tell me brother Jewel…tell me who is your dad?
Vardaman
I
tried to find where they go at night,
Dewey
Dell told me not to tell.
My
legs look black
Darl
said she was talking to God
They
moved her to the Barn.
Dewey
Dell told me not to tell.
Darl
The barn was a masterpiece of fire
and flame,
As Hell itself tore through its
contents, walls and frame.
Jewel and I rushed in to liberate
its contents,
While Vardaman, Dell, and others
wait in suspense.
Vardaman
Where
did Darl go?
The
barn was gone now.
Cash
got a leg like a nigger now
Mr.
Gillespie told Pa he aint got sense
Jewel
got some medicine from Dewey Dell
He
got a back like a nigger too just like Cash
Don’t
cry on her Darl. Stop crying.
Dewey
Dell said I aint supposed to tell
Darl
Just one mile to Jefferson, a
thought I can bless
Dewey Dell jumps out, changes to
her Sunday dress.
We encounter some negroes, and one
with a knife.
Who smelled our poor mama, she
smells bad without life.
Cash
We
got to Jefferson today
Gillespie
had something to say
Put
ma in the ground
Then
new men came round
We
helped them take poor Darl away
Peabody
Lord
help the man
That
is mended by that fool
Anse
Bundren, whom I wouldn’t
Trust
to mend a dumb mule.
Cash
might walk, but he shouldn’t.
MacGowan
You
poor poor girl, what is it you desire?
I
will humor your pretty self while I inquire.
In
some trouble are you? Oh no.
Ten
dollars aint enough, you should go
You
need it done do you? I see your fight.
Hows
about you meet me here later tonight.
Come
with me girl, down into the cellar,
This
bottle, these pills, I’ll make you feel better.
Vardaman
Darl
is going to Jackson
I
walk with Dewey Dell
She
sits me on the curb
He
went Crazy in our wagon
Dewey
Dell comes back
What
didn’t work?
Darl
is my brother.
Darl
Darl has gone to Jackson cause they
think that Darl’s nuts
They hate the sound…laughter! They
feel it in their guts.
Dewey Dell, Vardaman, The glass
from war I guess.
“Is that why you’re laughing Darl?”
Yes Yes Yes Yes Yes.
Dewey Dell
Pa
asks me about my money
It’s
not for me to say
I’d
call him a thief, not being funny
But
he takes it anyway.
Cash
Took
a while waitin’ for pa
Takin
the shovels back and all
He
shows up complete,
With
a new set of teeth
And
he’s joined by our brand new “ma”.
Works Cited
Faulkner,
William, and Michael Edward. Gorra. As I Lay Dying: Authoritative Text,
Backgrounds and Contexts, Criticism. New York: W.W. Norton &, 2010.
Print.
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